THIS SHOW IS MOVING (again) DUE TO THE CORONA VIRUS.
Campus JAX in Newport Beach on March 16
PLEASE UNDERSTAND THE TOUGH SITUATION THIS PUTS THE MUSIC COMMUNITY IN, EVERYBODY FROM THE ARTIST TO THE FANS TO THE VENUES AND PROMOTERS ARE AFFECTED DRASTICALLY.
ALL PRE-SOLD TICKETS WILL BE HONORED AT THE LATER DATE,
OR YOU MAY CHOOSE ANOTHER UPCOMING SHOW TO USE YOUR SEATS AT.
CONTACT CHRISTOPHER@EXPOEVENTSUSA.NET FOR MORE DETAILS OR TO CHANGE SHOWS.
Honky tonkin' Corb Lund has his exclusive Southland appearance at Original Mike's in Santa Ana, with special guest Lauren Morrow. See her bio at bottom of this page.:
Those who know and love Corb Lund are people who appreciate the hilarity of his songs.
Listen to the lyrics of "Cows Around" or "Bible On The Dashboard."
These are not simply great lyrics; they are so tongue in cheek as to be masterpieces of the genre. An award-winning artist like John Prine would be proud to put his name on some of Corb Lund's songs - he is that good.
Unlike Prine however, Corb has a rockin' great honky tonk band, the former Hurtin' Albertans backing him up on this tour.
That alone should be enough to pry you loose from a few bucks to go see this show! But bring some friends if you don't want to be describing what a great show it was over and over the next day.
Lund is an award-winning, vintage country performer, who spent his twenties, interestingly, in an indie rock band. He embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes both past and present — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. He sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result, his writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, winning over appreciative audiences at rodeos, fairs, festivals and other events where tales of fearless explorers, determined homesteaders and committed cattle ranchers still holds a powerful sway.
Backed by his long-time honky tonk band, the Hurtin’ Albertans — Kurt Ciesla, bass; Grant Siemens, guitar; and Brady Valgardson, drums — Lund effectively amplifies those themes and fires up the crowds. It’s little wonder that the Vegas Seven noted, “Like Willie Nelson before them, they bring out the shit-kickers and hipsters in equal measure.”
“There aren’t many artists still making this kind of Western music,” Lund suggests. “Personally, I feel like I still have a real stake in it. That’s why I believe that the people that admire a vintage approach really appreciate what we do. And for us, it’s really gratifying to be able to perform it for them.” In a very real sense then, Lund has become a true musical courier as far as that authenticity is concerned, a traditional troubadour who’s determined to keep that rugged and restless spirit alive. “It seems to have developed that way,” he nods. “I didn’t necessarily plan it, but it feels really good that that’s how it’s evolved.”
The upcoming tour is a precursor to a series of new projects Lund has planned for the coming year. He promises a carefully curated EP of unexpected cover songs that will resonate with ranchers and rockers alike, and an album of original material to follow soon after. With nine studio albums under his belt, multiple CCMA, Juno, and international award nomination and wins, Lund is well recognized as a musical force to be reckoned with.
His seventh album, Cabin Fever, debuted at #1 on the Billboard Canadian Charts; he has three gold records; and his latest release, Things That Can’t Be Undone, cemented his status as one of the best contemporary country singer/songwriters working today.
The press agrees: Rolling Stone declared him one of the “10 New Country Artists You Need to Know” and NPR remarked, “The album is a high mark of a long career. ”Rolling Stone Country said of Things That Can’t Be Undone that it “finds Lund flirting in fresh sonic waters, while still keeping his sardonic mix of eerie lyrics and deceptively joyful vamps well intact.”
For its part, Popmatters proclaimed, “ 'Things That Can’t Be Undone' furthers the case for Corb Lund as one of the best contemporary country songwriters.”
WHAT PEOPLE ARE SAYING ABOUT LAUREN MORROW
"Top Ten Country Artists to Watch in 2020." - Paste Magazine
“With her self-titled solo EP, Morrow has struck out on her own, debuting four songs that showcase her tender songwriting and inward-looking artistic vision.” — Rolling Stone
“Lauren Morrow—known best as one-half of Nashville-by-way-of-Atlanta duo Whiskey Gentry—puts lyrical fire behind a classic country sound on her four-song solo debut.” — Garden & Gun
“As she starts a new era of her career, she needs something to advantageously represent herself that isn’t The Whiskey Gentry, and this is what she accomplishes with these four songs. But most importantly, these four songs are really good.” — Saving Country Music
After over a decade as the centerpiece of popular Americana band The Whiskey Gentry, Lauren Morrow packed her bags, her dogs, her cats, and husband and moved to Nashville to pursue a career as a solo artist and grow her craft as a songwriter and performer. Within months, she released her first solo EP to widespread critical acclaim and landed on many Best of 2018 year ends lists from Rolling Stone to Garden & Gun, quickly launching her already budding career and sending it into hyperdrive. Over the next year, Morrow filmed an episode for PBS’ Bluegrass Underground and toured the US playing festivals such as Pickathon and Bristol Rhythm & Roots to name a few. In November 2019, Morrow began recording her first solo, full-length album at the legendary Nashville studio, Sound Emporium. Set to release in 2020, Morrow’s new album showcases her flawless vocals and intricate songwriting, but also her willingness to take risks — an edge that makes her stand out from the Nashville norm. Whether she’s singing an alternative/indie rock banger, a classic-country cooner, or a traditional lovesick ballad, there’s a unique impression she leaves that lingers and is unlike anything you’ve heard before.